Help Me Remember Home
Digital Print on Cotton 30 x 45 cm, Image transfer on Leather,Publication
2024 - Ongoing
Help Me Remember Home
 Image transfer on Leather
2024 - Ongoing
Help Me Remember Home
Image transfer on Leather
2024 - Ongoing
Help Me Remember Home
Image transfer on Leather
2024 - Ongoing



How do we define home? Where do the children of the diaspora feel they belong? How did immigrant parents recreate home in countries that did not share their language, customs, or rituals? These are the questions that Help Me Remember Home seeks to explore.


This project examines how different individuals remember home—whether through cooking the same dishes their families made back home or, in my case, through the way my mother holds on to home by always wearing her kitambala (Lingala for ‘scarf of the head’), no matter where she lives. For her, the scarf is a way of remembering her identity. Its colourful wax prints evoke memories of old musicians, religious figures, and traditional Congolese graphic design.


For me, seeing my mother wear her scarf—just as she did 15 years ago—represents the continuity of a ritual I observed throughout my childhood. It is a ritual I never participated in, yet it reminds my mother of her ancestral land and me of the person who has always been my first home.
CARHARTT WIP NL FW 23
CARHARTT WIP NL FW 23
CARHARTT WIP NL FW 23
CARHARTT WIP NL FW 23
BOTTER AW24 BTS
Print on Black Leather
BOTTER AW24 BTS
Print on Borwn Leather
BOTTER AW24 BTS
Print on Brown Leather
BOTTER AW24 BTS
Print on Brown Leather
Home is you
2024 - ongoing
Home is you
2024 - ongoing
UNTITLED 2023
Architecture prints in 8x11 metal box,Chrome hinges
Academy Year 2 publication

UNTITLED 2023
Architecture prints in 8x11 metal box,Chrome hinges
Academy Year 2 publication
UNTITLED 2023
Architecture prints in 8x11 metal box,Chrome hinges
Academy Year 2 publication


Benedicta Bibuku

contact@benedictbibuku.com

Benedicta Bibuku (1999) is a visual artist born in D.R. Congo, raised in Germany, and currently living in the Netherlands.  

Much of her work focuses on reimagining her existence. Reimagining her existence as a Congolese diasporic woman in society and the ways it perceives her. Her artistic practice lies in the exploration of sociological topics that sit at the intersection of racial and cultural identity, belonging, fashion, and beauty. 

Using academic, visual, and cultural research as the foundation of her practice, she aims to question and challenge narratives in the dominant culture of people with the same racial and socio-economic background as her.  

Bibuku's working methodology is also rooted in a slower, hands-on process that allows space for reflection and emotions. While her approach shifts from project to project, she consistently returns to a material-driven practice. Through film photography and analogue printing techniques, she approaches image-making as an intentional practice that allows her to reclaim her own narrative while creating a tangible, evolving archive. 



Education
B.A Photography
Royal Academy of Art, The Hague
2022 - 2026



Commercial Work
Strategy & Art Direction
Highsnobiety, Title Media
now




Group Shows
“Help me Remember Home”
Solstice Collective: 8 Faces, 18 Edges, and 12 Vertices, The Grey Space in the Middle The Hague, The Netherlands

2025

“You’re Pretty, Selfie?”
Solstice Collective, Moholy-Nagy University of Art and Design (MOME) 
Budapest, Hungary
2024

“Can you hear my thoughts?”
Solstice Collective: Weaving Through Dawn Waiting For The Sun To Rise Again Paradise
The Hague, The Netherlands

2024

“I am all” 
f2 Fotofestival, POINT OF.. 
Dortmund, Deutschland

2023

Selected Commercial Work

On Clubhouse Nights Paris
Art Direction
2025

Reebok LTD, New Cavaliers
Strategy
2024

Moncler City of God
Strategy
2024

© 2025 Benedicta Bibuku